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Archive

Choose a themed pathway through a selection from the digital archive of Helen Storey Foundation.

Original sketch for ‘Dress For Our Time’, 2015 (Illustration by Helen Storey) Helen Storey and pattern maker Mark Tarbard in the studio creating ‘Dress For Our Time’, Autumn 2015 (Photo by Kathy Anne Lim) ‘Dress For Our Time’ global data visualisation, 2016 (Image by Holition) ‘Dress For Our Time’ at St Pancras International, 2015 (Photo by David Betteridge; modelled by Louise) ‘Dress For Our Time’ in process, September 2015 (Photo by Helen Storey) ‘Dress For Our Time’ at The Science Museum, London, 2016 (Photo courtesy of The Board of Trustees of the Science Museum, London) ‘Warrior Woman’: ‘Dress For Our Time’ at the UN, 2016 (Photo by David Betteridge; modelled by Louise) ‘Warrior Woman’ and Helen Storey: ‘Dress For Our Time’ at the UN, 2016 (Photo by David Betteridge; modelled by Louise) ‘Dress For Our Time’ at the UN, 2016 (Photo by David Betteridge; modelled by Louise) The ‘Dress For Our Time’ UNHCR tent in its original form (Photo by Erin Thompson) ‘Dress For Our Time’ under the arches at St Pancras International, 2015 (Photo by Helen Storey; modelled by Louise) ‘Dress For Our Time’ in St Pancras International subway, 2015 (Photo by Helen Storey; modelled by Louise) ‘Dress For Our Time’ outside St Pancras International at night, 2015 (Photo by Helen Storey; modelled by Louise) ‘Dress For Our Time’ outside the UN, 2016 (Photo by Helen Storey; modelled by Louise) ‘Dress For Our Time’ outside the UN, 2016 (Photo by Helen Storey; modelled by Louise) Louise sitting inside the UN wearing ‘Dress For Our Time’, 2016 (Photo by Helen Storey) ‘Dress For Our Time’ outside the UN, 2016 (Photo by Helen Storey; modelled by Louise) ‘Dress For Our Time’ invigilator’s badge, 2015 (by Helen Storey) ‘Dress For Our Time’ inside the UN, 2016 (Photo by Helen Storey; modelled by Louise) Dress For Our Time’ in the woods, 2015 (Photo by Helen Storey; modelled by Louise) Helen Storey takes ‘Dress For Our Time’ to Glastonbury, 2016 (Photo by Claire Lewis) Glastonbury, 2016 (Photo by Helen Storey) Dressing Malian singer-songwriter Rokia Traoré in ‘Dress For Our Time’ backstage at Glastonbury, 2016 (Photo by Claire Lewis) Dressing Malian singer-songwriter Rokia Traoré in ‘Dress For Our Time’ backstage at Glastonbury, 2016 (Photo by Claire Lewis) Dressing Malian singer-songwriter Rokia Traoré in ‘Dress For Our Time’ backstage at Glastonbury, 2016 (Photo by Helen Storey) Malian singer-songwriter Rokia Traoré wearing ‘Dress For Our Time’ backstage at Glastonbury, 2016 (Photo by Helen Storey) Malian singer-songwriter Rokia Traoré wearing ‘Dress For Our Time’ backstage at Glastonbury, 2016 (Photo by Helen Storey) ‘Dress For Our Time’ facing St. Pauls, London, 2015 (Photo by David Betteridge; modelled by Louise) ‘Dress For Our Time’ facing the celestial sphere at the UN, 2016 (Photo by David Betteridge; modelled by Louise) ‘Dress For Our Time’ facing the celestial sphere at the UN, 2016 (Photo by David Betteridge; modelled by Louise) ‘Dress For Our Time’ (Photo by Helen Storey) ‘Dress For Our Time’ at St Pancras International, 26th November 2015 (Photo by Gretel Ensignia and courtesy of St Pancras International) ‘Dress For Our Time’ logo, 2015 ‘Dress For Our Time’ at St Pancras International, 26th November 2015 (Photo by Gretel Ensignia and courtesy of St Pancras International) ‘Dress For Our Time’ at St Pancras International, 26th November 2015 (Photo by Gretel Ensignia and courtesy of St Pancras International) ‘Dress For Our Time’ at St Pancras International, 26th November 2015 (Photo by Gretel Ensignia and courtesy of St Pancras International) ‘Herself’, by Helen Storey and Tony Ryan, from Catalytic Clothing, 2010 in FUTUROTEXTILES 3, Paris, 2013 (Photo by Maxime Dufour) Detail of ‘Herself’, by Helen Storey and Tony Ryan, from Catalytic Clothing, 2010 in FUTUROTEXTILES 3, Paris, 2013 (Photo by Maxime Dufour) ‘Herself’, by Helen Storey and Tony Ryan, from Catalytic Clothing, 2010 in FUTUROTEXTILES 3, Paris, 2013 (Photo by Maxime Dufour) ‘Herself’, by Helen Storey and Tony Ryan, from Catalytic Clothing, launch at Howard Street, Sheffield, October 2010 (Photo by Jon Daughtry) ‘Herself’, by Helen Storey and Tony Ryan, from Catalytic Clothing, 2010 in Wearable, l’esposition, La Gaîté lyrique, Paris, 2016 (Photo by Gelya Morozov) ‘Planet Velvet Dress’, from Catalytic Clothing, 2011 at Tinsley Bridge, 2012 (Photo by Shaun Bloodworth) Work in progress by Helen and Kate Storey (Photograph by Helen Storey, 2017); details to be announced in Spring 2018 ‘Spinal Column Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Heart Tubes and Diaphragm Descending Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Heart Tube Hat’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Red Fur Neurulation Dress’, by Helen and Kate Storey, from Primitive Streak, 1997 (Illustration by Helen Storey, 2002) ‘Neural Induction Dress (Indian Streak)’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Primitive Streak Dress (African Streak) from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Implantation Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Double DNA Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Nerve Net Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Neural Induction Dress (Indian Streak)’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Anaphase Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Sperm Cage’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Sperm Cage’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) ‘Sperm Cage’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) Portrait of Helen and Kate Storey for Chris Maume’s (1997) ‘Biology of a sister act’, Independent on Sunday, 28 September 1997 (Photo by John Lawrence) ‘Front and No Back Dress’ from Edith’s Sisters, AW 1995 (Photo by Ezzidin Alwan for HSF & Kingston University, 2015) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Helen's latest work at Za'tari refugee camp, Jordan, September 2017, where the tent that was used in Dress for our Time came from. Two years on Helen launches a new, accredited, perfume training workshop for refugee women, with fragrance partners Givaudan (Images by Givaudan) Helen's current work at Za'tari refugee camp, Jordan, , September 2017, where the tent that was used in Dress for our Time came from. Two years on Helen launches a new, accredited, perfume training workshop for refugee women, with fragrance partners Givaudan (Images by Givaudan) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Press cuttings from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Press cuttings from the Rage, SS 1991 catwalk show, 14 October 1990, published in Collezioni (Photographer unknown; scanned by HSF and Kingston University) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabric for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Unused fabrics for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch and fabrics for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Sketch for Edith’s Sisters, AW 1995 (Illustration by Helen Storey) Polaroids of outfits from Edith’s Sisters, AW 1995 Photo of model castings, styling and experimentation for Edith’s Sisters, AW 1995 catwalk show Photo of model castings, styling and experimentation for Edith’s Sisters, AW 1995 catwalk show Ticket to Rage, SS 1991, Fashion Show, Sunday 14 October 1990, British Fashion Council Tent, Olympia, Hammersmith Road, London, W14 (Scanned by HSF and Kingston University) Polaroids of running order for Edith’s Sisters, AW 1995 catwalk show Polaroids of running order for Edith’s Sisters, AW 1995 catwalk show Polaroids of running order for Edith’s Sisters, AW 1995 catwalk show Polaroids of running order for Edith’s Sisters, AW 1995 catwalk show Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Edith’s Sisters, AW 1995 catwalk show (Photographer unknown) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image of ‘Crin Dress’ from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Press Image from the Rage, SS 1991 catwalk show, 14 October 1990 (Photographer unknown; scanned by HSF and Kingston University) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe; the models selected their own dresses from the collection) Textile Sample for Design 11 in Primitive Streak, created with Trish Belford (Scanned by HSF & Kingston University, 2015) Textile Sample for Design 11 in Primitive Streak, created with Trish Belford (Scanned by HSF & Kingston University, 2015) ‘Embroidery sponge for sperms representation’, Textile Sample for Design 5 in Primitive Streak, created with Trish Belford and unknown Japanese student from London College of Fashion (Scanned by HSF & Kingston University, 2015) ‘Chromosomes on silk’, Textile Sample for Design 7 in Primitive Streak, created with Trish Belford (Scanned by HSF & Kingston University, 2015) Contact sheet of photographs for Chris Maume’s (1997) ‘Biology of a sister act’, Independent on Sunday, 28 September 1997 (Photos by John Lawrence) Textile Sample for ‘DNA Sequence’, Design 8 in Primitive Streak, created with Trish Belford (Scanned by HSF & Kingston University, 2015) Textile Sample for Primitive Streak, created with Trish Belford (Scanned by HSF & Kingston University, 2015) Helen Storey (1999) ‘Shanghai Surprise’, in Vogue (UK), January 1999, pp. 36-37. Nicci Gerrard (1998) ‘Yangtze doodle dandy’, The Observer, 11 October 1998. Chris Maume (1997) ‘Biology of a sister act’, Independent on Sunday, 28 September 1997. Primitive Streak, 1997 photo by Justine in Reva Klein (2006) ‘Where science and art meet’, The Times Educational Supplement, 19 May 2006. Reva Klein (2006) ‘Where science and art meet’, The Times Educational Supplement, 19 May 2006. Photo of Primitive Streak, 1997 by Jason Lowe in Peter Wollen (2001) Addressing the Century: 100 years of art and fashion. London: Hayward Gallery, p. 102. Photo of Primitive Streak, 1997 by Jason Lowe in Peter Wollen (2001) Addressing the Century: 100 years of art and fashion. London: Hayward Gallery, p. 67. ‘Double DNA Dress’ from Primitive Streak, 1997 by Helen and Kate Storey (Photo by Justine; modelled by Korinna at Models 1) Garment from the Wonderland Lab pilot at London College of Fashion, 2007 (Photo courtesy of Helen Storey and Wonderland team) Garment from the Wonderland Lab pilot at London College of Fashion, 2007 (Photo courtesy of Helen Storey and Wonderland team) Garment from the Wonderland Lab pilot at London College of Fashion, 2007 (Photo courtesy of Helen Storey and Wonderland team) ‘Opera Coat’ from the Wonderland Lab pilot at London College of Fashion, 2007 (Photo courtesy of Helen Storey and Wonderland team) Garment from the Wonderland Lab pilot at London College of Fashion, 2007 (Photo courtesy of Helen Storey and Wonderland team) Garment from the Wonderland Lab pilot at London College of Fashion, 2007 (Photo courtesy of Helen Storey and Wonderland team) Helen Storey in the studio on Primitive Streak, 1997 (Photographer unknown) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak, 1997 (Photo by Jason Lowe) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 (Photographer unknown) Institute of Contemporary Arts in China catalogue featuring Primitive Streak, 1998 Institute of Contemporary Arts in China catalogue featuring Primitive Streak, 1998 Institute of Contemporary Arts in China catalogue featuring Primitive Streak, 1998 Institute of Contemporary Arts in China catalogue featuring Primitive Streak, 1998 Photo of Primitive Streak, 1997 by Justine in catalogue for Addressing the Century: 100 years of art and fashion (1998) Hayward Gallery, London Primitive Streak at Cornerhouse, Manchester, 1998, catalogue, p. 7. Primitive Streak at Cornerhouse, Manchester, 1998, postcard Primitive Streak at Cornerhouse, Manchester, 1998, postcard Front cover of catalogue for Primitive Streak opening at The Institute of Contemporary Arts, London, 1997 ‘Planet Velvet Dress’, from Catalytic Clothing, 2011 (Illustration by Helen Storey; based on a design from Edith’s Sisters, AW 1995) Sperm Coat(Detail)From Primitive Streak, 1997 Photo: Ezzidin Alwan for Helen Storey Foundation / Kingston University 2015 Sperm Coat. From Primitive Streak, 1997. Photo: Ezzidin Alwan for Helen Storey Foundation/Kingston University 2015 Sperm Coat (Detail). From Primitive Streak, 1997. Photo: Ezzidin Alwan for Helen Storey Foundation/Kingston University 2015 Sperm Coat (Detail). From Primitive Streak, 1997. Photo: Ezzidin Alwan for Helen Storey Foundation/Kingston University 2015 ‘No Stitches Wedding Dress’, 1981 (Photo by Ezzidin Alwan for HSF & Kingston University, 2015)